thrash metal

Thrash Thursdays – can cause Toxik Paralysis!

Toxik     Album Cover (1)

Toxik are not only reviving the old school thrash sound, but they are the living and breathing originals from way back when. Originally thrashing in from the mid 80s they rubbed shoulders with all the great and the good contemporaries from the east coast to the west, from doom pioneers Candlemass to the technical teachers Dream Theater, but then called it a day in 92. Spin forward 20 years and they are back and August sees the release of this EP. And mentioning Dream Theater earlier makes me think this is a very technical thrash sound, its tight and clean with Anthrax style vocals, which isn’t a surprise as they are a NYC based band. Opening track of this three-piece EP ‘Stand Up’ is the weaker of the three in my opinion, but the sentiment of throwing off the shackles of modern world slavery, in its widest sense, is a very ‘Thrash’ topic, and one that is very current in deed.

‘Breaking Class’ is riddled with an exciting race between drums and guitars to see who is gonna get to the end first! This tune resonates some DRI elements especially its midway breakdown! The guitar picking after this shakedown is ultra-fast, but in my opinion closing track ‘Psyop’ is the strongest, a wee intro, then multi-layered guitar emulating a call and response in some ways, before setting the pace for a mosh fest of a tune! This has variety, riffs, guitar leads that sometimes take me by surprise – still showing off their technical clout, Toxik have banged their fist on the table and will leave their mark with this self-released EP. Well worth exploring if you are new to this thrash renaissance.
Continue reading

Nekrokraft – Will o’ the Wisp

 

TRL003_-_Nekrokraft_-_WilloWisp_-_1440X1440_300dpi

For any older UK readers, you may remember the TV cartoon voiced by the irrepressible Kenneth Williams. Well you can forget that for starters. Nekrokraft deliver frightening fast blackened thrash. The guitar is raw and black, although the rhythms are thrashtastic. The tempo changes are as smooth as a Vaselined otter as it breaks down in to slower moshfest parts, then ups the ante and the deathly growls return to the screaming howls of vocalist Angst.

Title track even has an angular progressive death style opening, and levels blast beats with fast guitar, which stands apart from the rest of the album’s feel. And ‘Worship’ gets right down and dirty, although they hail from Sweden, they have a far more Germanic feel to their vibe and strikes out with excellent power chord riffing
Continue reading