When I opened this Dead is Dead album I returned it to the mail room, as it has ‘Post’ written all over it. (pauses for audience response….)
Solid blocks ten foot by ten foot, by ten foot drop on me from a tall height and squash me with their sound. In my mind it is post-metal, post-rock, post-post. This is well planned and deftly executed in its understatement. In reality, its not how heavy this album is, it’s actually how heavy it isn’t, if you get my drift. This power trio could have easily released the brakes and run full throttle over anything they had conceived musically. Yet, by holding themselves back, I get to actually hear the album, the music, and the gaps, so that when they rack it up a gear, it really hits home and makes a statement. Continue reading →
Trump maybe getting ‘really bad drudes out,’ but this bad Drude is here to stay! And that is because it hides and morphs and blends in like a musical chameleon.
You know how it is, you get comfy with something you know and feel familiar with for a minute or two, then it explodes in to an outpouring of harsh sludge which flattens me to the floor.
Drude hail from Indiana, and I am guessing that it’s Eerie, Indiana (I’m showing my age, aren’t I?) as they mix and contort their sound along the lines of reality distortion expected of some Sam Rami horror movie.
After the opening horror of “Drude,” we slow down to a bong pace for “Barbelo,” as it builds slowly layer upon layer like silt at the bottom of a river… and the music swirls around as the smoke begins to rise.
Shroud Eater have teamed with Inhale the Heavy for the premiere of the artwork for their new release :TH:REE: :CVRSES:, which can be seen below.
Miami’s brooding riff sorcerers Shroud Eater are set to release a 13 minute experimental noisy drone track on cassette titled :TH:REE: :CVRSES: on February 8, 2017, to coincide with a performance at the International Noise Conference in Miami, FL.
The Obelisk premiered the track on February 1. You can listen to it here.
The release of :TH:REE: :CVRSES: is a drastic left turn from the usual doomy Shroud Eater fare; fuzzed out guitars, suffocating bass and bombastic drumming is replaced with meditative synthesizers and malicious intoning of curses over other-worldly analog echoes.
It’s dark, stoner doom from Helsinki! Dö released Tuho this spring, but with its icy melodies and merciless riffs, this full-length is has the perfect vibe for these waning days of autumn and the dim winter days ahead.
Meet the musicians: Deaf Hank handles bass and is the lead vocalist. Big Dog is on guitar and vocals. Joe E. Deliverance on drums as well as vocals. How the three piece musters this massive sound is beyond me. Follow the tracks on Tuho, and you’ll quickly understand what I mean:
“Born Under Black Wings” is pretty catchy, simple and refuses to be watered down from the perspective of its thick instrumentation. A cozy atmosphere is present to help you savor the moment. It’s here where we’re introduced to some unruly harsh vocals.