godz ov war

Morbid Messiah In the Name of True Death Metal

Morbid Messiah - In The Name of True Death Metal album cover The cover says it all. The skull of a beast falling (or floating) in darkness welcomes us into a world of the foul and macabre. Morbid Messiah provides the soundtrack. The Mexican act drives death metal straight into your ears and delivers it unfiltered. On their new EP, In the Name of True Death Metal, they show respect for the classic death metal elements that have kept this style alive throughout the decades. That means you can expect guitar riffs that roar with might, equally rowdy guttural vocals and fast, pulverizing drumming.

Sounds guide you into a cramped cellar and trap you in to experience this woe again and again. Things get good and settled in once “Putrid Voices” appears. Morbid Messiah pushes their signature formula of raw instrumentation, but prepare to worship the delicious guitar solo that soars atop of the rubble—revealing to listeners an aerial view of some disastrous scene. “Condemned to Hell Sores” trudges along in the beginning, but amps up its forces gradually. This zone is dominated by thick guitar riffs and varied shades of vocal delivery. Then we have “Legions of Death,” ending our metallic joyride under three minutes, but it’s packed with plenty of grimy goodness for us.

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Warcrab and Warfist

War Crab album coverWhen two tribes go to war, one is all that you can score.

Two bands, two sounds, one war in common. Warcrab are seeing their debut album Scars of Aeons coming out on Black Bow Records, which is a fantastic starting block for them. I was lucky to enjoy them play live at one of the (now legendary) Summer Sizzlers in Brixton, and I remember the length of their beards! And there were comparisons to Bolt Thrower and Slayer, chatting to the singer on their merch stand he did a good job of selling their sound to me.

So this new album sees their sound slower than I remember with a powerhouse of six members creating a sludge fest, seeping forth through my speakers. It starts slow and deep and hard, then the head nodding starts and I can still understand the comparisons with Bolt Thrower, especially with their titles such as “Conquest” and “Destroyer of Worlds.” With a large contingent of players they do ooze an immense rumbling racket. Kind of at the junction where hardcore sludge meets heavy doom whilst playing a classic Metallica at the slowest speed on the turn table.

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